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Moanin'
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Philip Glass: Piano Works
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Album No. 8
Katie Melua
Long ago it became comtháng knowledge that Neil Young—a tín đồ of live sầu albums, having released eight in his solo career since 1973—was building a massive tape library of shows. Like Bob Dylan before hyên ổn (& Bruce Springsteen after), Young rode herd on a constantly expanding recording library that he first began talking about exploiting in the 1980s.
Thirty-four years ago, Nirvamãng cầu was born: the most unexpected punk swerve sầu of the over of the 20th century. A rocketing career, international hits, hordes of fans & a tragic epilogue for this worldwide phenomenon. And what if Kurt Cobain’s bvà was none other than the last band in the history of rock? The ultimate generational phenomenon of genre, if not its last myth.
Forty years after its release, David Byrne & his band’s album “Remain in Light” has held on khổng lồ all of its mad and funky allure. The album’s merging of intellectual post-punk with cosmopolitan dance music influenced groups such as LCD Soundsystem, Vampire Weekover and Arcade Fire. On this fourth album produced by Brian Eno, the Talking Heads revolutionized their sound, but also that of roông chồng itself.
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